My work varies, from installation, sculpture, drawing, printmaking, photography to glass. That is because I do not wish my work to be categorized to one specific media. I want to be free to experiment with the making as well as concept itself.
My work is hugely influenced by my own life experience and unconscious or sub-conscious memory, especially from my childhood, which appears and disappears suddenly and randomly. This situation exists as transparent and invisible in ‘Timeless time’ and ‘Spaceless space’. My work expresses this transparent space and becomes a clue, hint, or indication. It is a doorway in an ambiguous way.
As for materials, I often use heat, water, wind etc…by manipulating the subtlety, fragility and constant flux to create a space. This encourages experiencing the space not only visually but also all the senses; sound, smell, taste,and sensations felt through skin.
I also work on the piece periodically for a long time. It has the narration of a diary. At first sight, there seems to be no relation to the main practice, but it develops on further reflection. I also started to work on glass which is often regarded as a craft, so I am challenging and investigating the boundary between craft and fine art.
My work is hugely influenced by my own life experience and unconscious or sub-conscious memory, especially from my childhood, which appears and disappears suddenly and randomly. This situation exists as transparent and invisible in ‘Timeless time’ and ‘Spaceless space’. My work expresses this transparent space and becomes a clue, hint, or indication. It is a doorway in an ambiguous way.
As for materials, I often use heat, water, wind etc…by manipulating the subtlety, fragility and constant flux to create a space. This encourages experiencing the space not only visually but also all the senses; sound, smell, taste,and sensations felt through skin.
I also work on the piece periodically for a long time. It has the narration of a diary. At first sight, there seems to be no relation to the main practice, but it develops on further reflection. I also started to work on glass which is often regarded as a craft, so I am challenging and investigating the boundary between craft and fine art.